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And these remixes have been doing numbers, motivating artists and labels to put out official versions to cash in on the boom.Īs with anything new, this trend has also managed to raise some concerns: if it continues, does the idea of the professional remix DJ fade out? Do the subgenres of ghetto house and juke, which were spawned by Black artists in Chicago speeding up house records, become commodified without us even realizing it? Maybe TikTok will collapse in a few months anyway. For others it’s akin to how people play podcasts on 1.5 speed: you can get around to more music in a shorter amount of time. It’s energetic, it’s lighter, it makes songs more enjoyable. While some might not see the appeal in a pitch-shifted two-decade-old Michael Bublé song, listeners seem to genuinely enjoy how sped-up songs make them feel. The technique is as easy as turning a record player knob from 33 to 45 RPMs (that’s revolutions per minute).
But, most of these sped-up versions, save for a few, feel the same: The songs are often pitched up ever so slightly, sometimes resulting in the shift from a minor key to a major. A pop hit like Bruno Mars’ “ 24k Magic” might shine at its normal pace, but accelerated, it becomes glittery and Chipmunkian - more fit for Mario Kart than radio play. Simply put, the initial recording has been drastically sped up.įor months, high-BPM (that’s beats per minute) versions like this have dominated social media, with everyone from Lana Del Rey to Yeat getting the quick-tempo treatment.
If you’ve opened TikTok recently, you’ve likely scrolled past a video soundtracked by a fresh take on Miguel’s 2010 single “Sure Thing” - the defining moodiness of the original replaced by a jaunty bounce, and Miguel’s voice, once sultry, turned infantile. Photo-Illustration: Vulture Photos: 20th Century Fox, Charlotte Wales, Getty
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